Phantom Dancer :: 12:00pm 5th Aug 2025

Kay Thompson was an American author, singer, vocal arranger, vocal coach, composer, musician, dancer, actress, and choreographer. She became famous for creating the Eloise children’s books and for her role in the movie Funny Face. You’ll hear her on 1930s radio as this week’s Phantom Dancer feature artist.
The Phantom Dancer is your weekly non-stop mix of swing and jazz from live 1920s-60s radio and TV every week.
LISTEN to this week’s Phantom Dancer mix (online after 2pm AEST, Tuesday 5 August and weeks of Phantom Dancer mixes online at, at https://2ser.com/phantom-dancer/
KAY
Kay Thompson began her career in the 1930s as a singer and choral director for radio. Her first big break was as a regular singer on the Show, Bing Crosby Entertains, (CBS, 1933–34).
This led to a regular spot on The Fred Waring-Ford Dealers Show (NBC, 1934–35) and then, with conductor Lennie Hayton, she co-founded The Lucky Strike Hit Parade (CBS, 1935), where she met (and later married) trombonist Jack Jenney.
Thompson and Her Rhythm Singers joined André Kostelanetz and His Orchestra for the hit series The Chesterfield Radio Program (CBS, 1936), followed by It’s Chesterfield Time (CBS, 1937), for which Thompson and her large choir were teamed with Hal Kemp and His Orchestra.
In 1939, she reunited with André Kostelanetz for Tune-Up Time (CBS), a show that was produced by radio legend William Spier (who later married Thompson in 1942). On an instalment of Tune-Up Time in April 1939, 16-year-old Judy Garland was a guest.
FLICKS
Kay Thompson and her choir performed two songs in the Republic Pictures musical Manhattan Merry-Go-Round (1937).
In 1943, Thompson signed an exclusive contract with MGM to become the studio’s top vocal arranger, vocal coach, and choral director.
She served as main vocal arranger for many of producer Arthur Freed’s MGM musicals and as vocal coach to such stars as Judy Garland, Lena Horne, Frank Sinatra, and June Allyson.
Some of the many MGM musicals for which Thompson was the vocal arranger include Ziegfeld Follies (1945), The Harvey Girls (1946), Till the Clouds Roll By (1946), Good News (1947), and The Pirate (1948).
As a film actress, Thompson only played one major role, that of fashion editor Maggie Prescott in the musical Funny Face (1957). She garnered critical praise for her stylish turn as an editor based on real-life Harper’s Bazaar editor Diana Vreeland, opening the film with her splashy “Think Pink!” and performing trios with Astaire and Hepburn.
NIGHTCLUBS
Thompson left MGM in 1947 to create the night club act “Kay Thompson and the Williams Brothers”, with the four Williams men as her backup singers and dancers. They made their debut in Las Vegas in 1947 and became an overnight sensation. Within a year, they were the highest-paid nightclub act in the world, breaking records wherever they appeared. She wrote the songs, and Robert Alton did the original choreography for the act.
ANDY WILLIAMS
Throughout the 1950s and early 1960s, Thompson mentored the solo career of the young Andy Williams. She helped land him a regular singing spot on NBC-TV’s new late-night series, The Tonight Show, hosted by Steve Allen. She got her friend Archie Bleyer to add Williams to the roster of artists on his label Cadence Records, where she wrote many of the songs he recorded, including the 1958 top-20 hit “Promise Me, Love”.
In 1963, Thompson paired the Christmas song “Holiday Season”—a song she had written and first performed in 1945—with the 1942 Irving Berlin Christmas song “Happy Holiday”, and gave it to Williams to sing. This medley arrangement and recording became a very popular hit and has since been covered by many artists.
Although it had been denied for decades, Williams admitted in his 2009 memoir, Moon River and Me (Viking Press), that Thompson and he had been secret lovers for several years, despite the 19-year age gap between them.
CHILDREN’S BOOKS
Thompson was the author of the Eloise series of children’s books. The Eloise character was developed by the author based on her childhood imaginary friend and alter ego, with a voice in which Thompson spoke throughout her life, according to her biographer, filmmaker Sam Irvin. Thompson’s goddaughter, Liza Minnelli, was often speculated as a possible model for Eloise.
The four books in the series, each illustrated by Hilary Knight, are Eloise (Simon & Schuster, 1955), Eloise in Paris (Simon & Schuster, 1957), Eloise at Christmastime (Random House, 1958), and Eloise in Moscow (Simon & Schuster, 1959). They follow the adventures of a precocious six-year-old girl who lives at the Plaza Hotel in New York City where Thompson herself lived.
All were bestsellers and adapted for TV.
Kay Thompson composed and performed a top-40 hit song, Eloise (Cadence Records, 1956), selling 100.00 records.
A fifth book, Eloise Takes a Bawth, was posthumously published by Simon & Schuster in 2002, culled from Thompson’s original manuscripts once slated for 1964 publication by Harper & Row. By 1964, though, Thompson was burned out on Eloise; she blocked publication and took all but the first book out of print.
RECORDS
As a singer, Thompson made very few records, starting with one side, “Take a Number from One to Ten”, on a 1934 session by the Tom Coakley band. In 1935, she recorded four sides for Brunswick (“You Hit the Spot”, “You Let Me Down,” “Don’t Mention Love to Me,” and “Out of Sight, Out of Mind”), and another four sides for Victor.
The four Brunswick sides are excellent examples of mid-1930s sophisticated New York cabaret singing. She later recorded for Capitol, Columbia, Decca, and most importantly, MGM Records, which issued her only complete album of songs, in 1954.
Thompson later recorded a spoken-word album for Signature Records, Let’s Talk About Russia, which detailed her adventures in Moscow. Signature released a single of two songs by Thompson, “Dasvidanya” and “Moscow Cha Cha”. She served as an adviser to Patti Page’s 1957 television series, The Big Record.
Thompson kept busy with nightclub and television performances, as well as overseeing her successful “Eloise” franchise.
Thompson appeared with goddaughter Liza Minnelli in Tell Me That You Love Me, Junie Moon (1970).
In 1974, Thompson directed a fashion show at the Palace of Versailles, featuring a performance by Minnelli and the collections of Halston, Bill Blass, Oscar de la Renta, and Anne Klein.
5. August PLAY LIST
Play List – The Phantom Dancer
107.3 2SER-FM Sydney
LISTEN ONLINE Community Radio Network Show CRN #724 |
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107.3 2SER Tuesday 5 August 2025 |
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Set 1
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Guy Lombardo | |
Goodnight Irene
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Guy Lombardo and his Royal Canadians (voc) Trio
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‘One Night Stand’
Grill Room Hotel Roosevelt NYC AFRS Re-broadcast 25 Oct 1950 |
It Looks Like a Cold, Cold Winter
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Guy Lombardo and his Royal Canadians (voc) Kenny Gardner
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‘One Night Stand’
Grill Room Hotel Roosevelt NYC AFRS Re-broadcast 25 Oct 1950 |
Medley: I’m in the Mood for Love + Winter Wonderland + White Christmas + September Song
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Guy Lombardo and his Royal Canadians (voc) Kenny Gardner
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‘One Night Stand’
Grill Room Hotel Roosevelt NYC AFRS Re-broadcast 25 Oct 1950 |
Zither Polka (close)
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Guy Lombardo and his Royal Canadians (voc) Trio
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‘One Night Stand’
Grill Room Hotel Roosevelt NYC AFRS Re-broadcast 25 Oct 1950 |
Set 2
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Trad and Blues | |
Swingin’ the Blues in C
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Tiny Crump the King of Jump (piano)
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Club Hangover
KCBS San Francisco 20 Nov 1954 |
Love is Just Around the Corner
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Muggsy Spanier
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Club Hangover
KCBS San Francisco 20 Nov 1954 |
After Hours
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Red Richards (piano)
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Club Hangover
KCBS San Francisco 20 Nov 1954 |
When the Saints Come Marching In | Muggsy Spanier |
Club Hangover
KCBS San Francisco 20 Nov 1954 |
Set 3
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Kay Thompson | |
It Had to Be You
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Kay Thompson
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‘Saturday Night Swing Club’
WABC CBS NYC 12 June 1937 |
Whoa Babe! |
Kay Thompson
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‘Saturday Night Swing Club’
WABC CBS NYC 12 June 1937 |
Solitude
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Kay Thompson
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‘Dodge Show’
Radio Transcription 1935 |
After You’ve Gone + Close | Kay Thompson |
‘Dodge Show’
Radio Transcription 1935 |
Set 4
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Lester Young | |
I Got Rhythm
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Lester Young and Jubilee All Stars
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‘Jubilee’ AFRS Hollywood 22 Apr 1946 |
Lady Be Good
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Lester Young and Jubilee All Stars
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‘Jubilee’
AFRS Hollywood 22 Apr 1946 |
Sweet Georgia Brown`
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Lester Young and Jubilee All Stars
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‘Jubilee’
AFRS Hollywood 22 Apr 1946 |
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Set 5
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Artie Shaw | |
Nightmare (theme) + Bedford Drive
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Artie Shaw Orchestra
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‘Spotlight Bands’
Santa Ana Ca Mutual 3 Oct 1945 |
Along the Navajo Trail
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Artie Shaw Orchestra (voc) Imogen Lynn
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‘Spotlight Bands’
Santa Ana Ca Mutual 3 Oct 1945 |
Can’t You Read Between the Lines?
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Artie Shaw Gramercy 5
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‘Spotlight Bands’
Santa Ana Ca Mutual 3 Oct 1945 |
‘S Wonderful
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Artie Shaw Orchestra
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‘Spotlight Bands’
Santa Ana Ca Mutual 3 Oct 1945 |
Set 6
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Count Basie | |
One O’Clock Jump (theme) + Ebony Rhapsody
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Count Basie Orchestra
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Southland Cafe
WNAC NBC Red Boston 20 Feb 1940 |
Riff Interlude
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Count Basie Orchestra
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Southland Cafe
WNAC NBC Red Boston 20 Feb 1940 |
Darn That Dream
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Count Basie Orchestra (voc) Helen Hume
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Southland Cafe
WNAC NBC Red Boston 20 Feb 1940 |
Take it Prez + Baby, Don’t You Tell on Me
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Count Basie Orchestra
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Southland Cafe
WNAC NBC Red Boston 20 Feb 1940 |
Set 7
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Eddie Condon | |
I’ve Got a Crush on You
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Eddie Condon Group (voc) Lee Wiley
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‘Eddie Condon Jazz Concert’
WJZ Blue NYC 5 Aug 1944 |
Soon
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Eddie Condon Group | ‘Eddie Condon Jazz Concert’ WJZ Blue NYC 5 Aug 1944 |
Sweet and Lowdown
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Eddie Condon Group | ‘Eddie Condon Jazz Concert’ WJZ Blue NYC 5 Aug 1944 |
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Set 8
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Hot Lips Page | |
The Saints |
George Wettling’s Stuyvesant Stompers featuring Hot Lips Page
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‘Doctor Jazz’
Stuyvesant Casino WMGM NYC 15 Feb 1952 |
On the Sunny Side of the Street | George Wettling’s Stuyvesant Stompers featuring Hot Lips Page |
‘Doctor Jazz’
Stuyvesant Casino WMGM NYC 15 Feb 1952 |
After You’ve Gone |
George Wettling’s Stuyvesant Stompers featuring Hot Lips Page
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‘Doctor Jazz’
Stuyvesant Casino WMGM NYC 15 Feb 1952 |